"Youth Club, Whakatane," 1963. © Ans Westra
January 13, 2020 • Historical
Binh Danh (Vietnamese-American, b. 1977). "Ghost of Tuol Sleng Genocide Museum #2," 2008. Daguerreotype. George
Eastman Museum, purchase with funds from the Horace
W. Goldsmith Foundation. © Binh Danh
December 3, 2019 • Historical
Peter NISSEN (German). Circus animals from Carl Hagenbeck’s Zoological Circus, circa 1891. Albumen print, 17.2 x 23.0 cm
August 26, 2019 • Animals
Image: © Estate of Bob Mizer (1922-1992), “Beau Rouge,” Los Angeles, 1954, Gelatin silver print from original large-format negative; Courtesy of ClampArt, New York City
August 22, 2019 • Historical
© Don McCullin from the book Don McCullin (Tate Publishing, 2019).
August 20, 2019 • Documentary/Photojournalism
Leonce Raphael Agbodjelou.
Untitled, from the series Musclemen, 2012.
C-Print.
© Leonce Raphael Agbodjelou, Courtesy Jack Bell Gallery, London
August 2, 2019 • Portraits/Portraiture
A clowder of ominous looking felines characterize one of the photographer’s most famous works, aptly titled The Mob. New Jersey, 1961.
Copyright: © 2019 Walter Chandoha
June 20, 2019 • Animals
Adrian Paci, Centro di permanenza temporanea
(Temporary Detention Center) (still), 2007, Video,
color, sound; 4:32 min. Courtesy of the artist and
Kaufmann Repetto, Milan/New York
June 19, 2019 • Documentary/Photojournalism
Image © Zora J Murff
May 14, 2019 • Portraits/Portraiture
Melissa Ann Pinney (American, b. 1953). Marina as the Moon and Stars, Evanston, Illinois,
2005, from Girl Ascending. George Eastman
Museum, purchase with funds from Janet and Thomas A. Fink. © Melissa Ann Pinney
May 2, 2019 • Historical
A photograph by Hugh Mangum from Photos Day or Night: The Archive of Hugh Mangum, edited by Sarah Stacke with texts by Maurice Wallace and Martha Sumler, Hugh Mangum’s granddaughter. Image courtesy of Hugh Mangum Photographs, David M. Rubenstein Rare Book & Manuscript Library, Duke University.
April 18, 2019 • Historical
Edward “Robbie” Roberson’s 1963 photo “Marchers Sleep on the Streets—'We were tired, we were tired, Selma, Alabama.'” © Edward Roberson/Courtesy of Eli and Edythe Broad Art Museum, Michigan State University, gift of Detroit Focus
April 10, 2019 • Documentary/Photojournalism