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February 13, 2019
...ny of my photos. Joanna and Thea mentioned trying to create an intimate, up-close feel. They also showed me photographs from both my personal work and previous assignments that they felt were representative of the direction they wanted to go for this image. After reading “Cat Person,” I was really inspired by the opportunity to create an image that would be paired, side by side, with it. But I knew it was going to be challenging, since the story i...
February 12, 2019
...ss, justice and the emergence of new and nonhierarchical alliances in human-non-human relations,” according to exhibition materials. Whether they are journalists bearing witness or artists questioning the status quo, photographers often pursue their work with intent to stir audiences to action. But climate change poses a particularly daunting challenge. Rising seas, extreme weather, forest fires and other climate-related disasters threaten the eco...
February 7, 2019
...night of the 2017 Grammy Awards. This photograph was one of many portraits—both individual and group—of celebrity talent that he shot in a short window of time for the assignment. Here, Pugliese tells us how he pulled off this show-stopping portrait in mere moments. PDN’s Photo Annual is now open for entries for 2019. Visit www.pdnphotoannual.com to learn more and enter. PDN: Can you describe the circumstances of your shoot with Blige? Joe Puglie...
February 1, 2019
...n, born 1954); Los Angeles, California, United States, North America; 2011 - 2012; Gold-toned gelatin silver print; 17.7 × 17.7 cm (6 15/16 × 6 15/16 in.); © Mark Ruwedel / Courtesy of The J. Paul Getty Museum, Los Angeles, Purchased in part with funds provided by Daniel Greenberg and Susan Steinhauser Apt. 15; Mark Ruwedel (American / Canadian, born 1954); Los Angeles, California, United States, North America; 2011 - 2012; Gold-toned gelatin silv...
January 30, 2019
...to social unrest in Ferguson, Missouri, but her 2018 PDN Photo Annual award-winning story covering Instagram celebrity Chyna (@chythegreatest—now 1.2 million followers strong) opened the door to a more intimate form of storytelling. Here, Keyssar explains how she got the assignment and what factors she took into account while documenting a young rising star. PDN’s Photo Annual is now open for entries for 2019. Visit www.pdnphotoannual.com to learn...
January 21, 2019
...onsume, manipulate, dismiss, cherish, interact with image-driven content online—and the relentless layering that accompanies this experience.” “Tabitha Soren’s work in Surface Tension is conceptually elegant, timely, and deeply resonant,” says Lisa Fischman, curator of the exhibition and Ruth Gordon Shapiro ’37 Director of the Davis Museum. “Soren’s pictures are rendered with painterly detail, luscious and beautiful, by virtue of the surface mess...
January 10, 2019
...t, I am soaring.” Ray K. Metzker was born in 1931 in Milwaukee. In his over-60-year career, Metzker had more than 50 solo exhibitions at major museums around the world and was the recipient of numerous awards including a Guggenheim Fellowship, two National Endowment for the Arts Fellowships, and a Royal Photographic Society’s Centenary Medal and Honorary Fellowship. His work is in the collections of more than 40 institutions and is the subject of...
January 9, 2019
...ng Untitled (silhouette) from The Rug’s Topography. © Rana Young Untitled (line) from The Rug’s Topography. © Rana Young Untitled (red) from The Rug’s Topography. © Rana Young Untitled (stockings) from The Rug’s Topography. © Rana Young Untitled (ladder) from The Rug’s Topography. © Rana Young Untitled (hair) from The Rug’s Topography. © Rana Young Untitled (underwear) from The Rug’s Topography. © Rana Young Untitled (suit) from The Rug’s Topograp...
January 7, 2019
...Tunbjörk, Wendy Red Star, Leiko Shiga and Roni Horn. Amalia Ulman’s use of Instagram to create a fake persona is Carroll’s jumping-off point for a critical look at social media’s influence on photography and self-representation. Through the work of Laia Abril, the book asks whether honing a signature style can make images more about the photographer than the subject. A James Welling image “challenges the notion that a photograph has to be ‘of’ any...
December 28, 2018
...affected the shadows, but the heat is hard on props and the sun moves fast—you have to be able to work quickly. Working this way requires a certain amount of “letting go.” There has to be a trust in your abilities and your vision—and that’s good for someone like me who tends to be a bit of control freak. I was really pleased with the way this shot came together and it reminded me how often I wish I could spend more time shooting somewhere like Ca...
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