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January 17, 2020
<span class="excerpt_part">...Frontline / Peace Life: Ukraine’s Revolutionaries of the <strong>For</strong>gotten War." (J.T. Blatty / Polaris) Mellon. From "Frontline / Peace Life: Ukraine’s Revolutionaries of the <strong>For</strong>gotten War." ©JT Blatty Birds of <strong>free</strong>dom. From "Frontline / Peace Life: Ukraine’s Revolutionaries of the <strong>For</strong>gotten War." ©JT Blatty Alya. From "Frontline / Peace Life: Ukraine’s Revolutionaries of the <strong>For</strong>gotten War." ©JT Blatty Popasna, Ukraine. From "Frontline / Peace Life: Ukra...</span>
January 16, 2020
<span class="excerpt_part">...American Art highlights these rarely seen photographs. On view through May <strong>10</strong>, 2020, “Eliot Porter’s Birds” features over 30 photographs and archival objects presented alongside excerpts from Porter’s extensive publications, letters and journals, “giving visitors an opportunity to feel a direct connection with the artist,” writes the museum in the press release. Porter’s <strong>com</strong>mitment to capturing avians in their natural habitat was grounded in a de...</span>
January 10, 2020
<span class="excerpt_part">...wall became emblematic of a changing world order–with the absence of the structure, as impactful as when it stood,” notes Klompching. The exhibition is especially timely, as it echoes the current divisive political dialogue surrounding the barrier wall between the U.S. and Mexico. “The wall <strong>today</strong> is almost ghostlike,” says Meyer, “even though it isn’t there, you can still feel it.” “Berlin” By Diane Meyer Klompching Gallery Through January 25, 202...</span>
January 9, 2020
<span class="excerpt_part">...work, the men and women participated in CPAC’s Veterans Workshop Series—a <strong>free</strong>, five-month program of photography courses offered to local military Veterans. “The Subjective Lens—Through the Eyes of Veterans” represents a broad range of subject matter. Cyprianne Williams writes that her portraits provide a platform <strong>for</strong> a “chorus of women of color residing in Denver” to share their stories. Carl Steitz chose to photograph the historic town of Stra...</span>
December 30, 2019
<span class="excerpt_part">...views with photographers and photo clients, and more: https:/<strong>/www</strong>.pdnonline<strong>.com</strong>/newsletters] The Wedding Photographer Not of Your Dreams Wedding photography is often highly staged and <strong>for</strong>mulaic, resulting in a clichéd documentation of a unique and emotionally charged event. Ian Weldon’s unorthodox approach to the genre cuts through fairy-tale representations of the big day and captures the real character of weddings with humor, warmth and affectio...</span>
December 17, 2019
<span class="excerpt_part">...ca (Rwanda) and entered a new chapter under the leadership of The VII Acade<strong>my,</strong> the educational arm of The VII Foundation. Photojournalist Ron Haviv is at the helm. The vision, though, has remained the same: a tuition<strong>-free</strong> workshop lead by photographers from the region where the workshop is held and from abroad, who bring with them a <strong>com</strong>mitment to a better future through responsible visual journalism. Its mission, from the start, was to reach photo...</span>
December 16, 2019
<span class="excerpt_part">...ee, Snedens Landing, New York, 1999 © Rodney Smith Three men with shears no. 1, Reims, France, 1997 © Rodney Smith Headstand against tree, Harriman Estate, New York, 1999 © Rodney Smith Men with boxes on head, Brunswick, GA, 2001 © Rodney Smith Reed Reading Upside down, Amenia, NY, 2013 © Rodney Smith “Human in Nature: The Art & Wit of Rodney Smith” is on display at The Edward Hopper House in Nyack, New York. Featuring 20 of the late photographer’...</span>
December 4, 2019
<span class="excerpt_part">...king the collages in 2016 after Donald Trump was elected president of the U.S. “Shocked and angry,” as Rusell writes in the introduction to her new book tears tears (Yoffy Press, 2019), she turned to her studio practice to channel her grief. Soon, she was “transforming each day’s experience into a nightly collage.” The work in tears tears is the result of reconstructing the news and the outrage, the sadness and fear, of the 45th presidency into a...</span>
November 29, 2019
<span class="excerpt_part">...t to a sprawling metropolis of 2 million people in the middle of the <strong>for</strong>est. <strong>Today</strong> it has some of the worst socioeconomic indicators in the country. © Tommaso Protti <strong>for</strong> Fondation Carmignac Members of the Guajajara <strong>for</strong>est guard patrolling the Araribóia indigenous reserve in Maranhão State beat another indigenous man whom they suspect of collaborating with illegal loggers. © Tommaso Protti <strong>for</strong> Fondation Carmignac A landless peasant leader on the Gr...</span>
November 20, 2019
<span class="excerpt_part">...se photographs there were so many masks that she would <strong>forget</strong> the real face. <strong>“Today</strong>, as I edit these photographs after <strong>10</strong> years, the desire to be home and the sorrow of separation creates a new narrative within my images, which is now the narrative of my life. The hope of return transformed my pictures into people whom I love, miss and have lost. The subjects carry the masks of the past, but they are still there. They are present. The masks coul...</span>
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